This practice test contains 60 original multiple-choice questions on the psychomotor domain of Bloom’s taxonomy: Simpson’s seven levels and Harrow’s six levels, example skills at each level, and how psychomotor objectives differ from cognitive objectives, with special attention to skill subjects and physical education, in the style of Pakistani teacher recruitment tests. Each question has one correct answer. Click Show Answer to check your answer and read a short explanation.

Simpson’s Seven Levels

Q1. The psychomotor domain of Bloom’s taxonomy is concerned mainly with:

  • (A) Physical movement, coordination and the use of motor skills
  • (B) Feelings, attitudes and values held by the learner in class
  • (C) Recall of facts and understanding of concepts in a lesson
  • (D) The ability to judge the worth of an argument in a debate
Show Answer

Answer: A – The psychomotor domain covers what learners can do physically, from simple movements to skilled performance.

Q2. Simpson’s version of the psychomotor taxonomy contains how many levels?

  • (A) Five levels
  • (B) Six levels
  • (C) Seven levels
  • (D) Three levels
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Answer: C – Simpson proposed seven levels, from perception at the lowest to origination at the highest.

Q3. Which of the following is the lowest level in Simpson’s psychomotor taxonomy?

  • (A) Guided response
  • (B) Perception
  • (C) Mechanism
  • (D) Adaptation
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Answer: B – Perception comes first: the learner uses the senses to become aware of objects and cues for movement.

Q4. In Simpson’s taxonomy, perception means that the learner:

  • (A) Performs a complex skill automatically
  • (B) Creates a new movement pattern of his own
  • (C) Defends a value against criticism
  • (D) Uses sensory cues to guide a motor activity
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Answer: D – Perception is the sensory foundation of movement, such as watching a demonstration carefully before trying it.

Q5. A pupil who watches the teacher’s hand position closely before trying to play a scale is showing which Simpson level?

  • (A) Mechanism
  • (B) Adaptation
  • (C) Perception
  • (D) Origination
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Answer: C – Careful sensory observation before acting is perception, the first step toward a motor response.

Q6. Set, in Simpson’s taxonomy, refers to:

  • (A) The automatic performance of a well-learned skill without thought
  • (B) The invention of a completely new dance step for a show
  • (C) The ranking of values into a system for guiding conduct
  • (D) Mental, physical and emotional readiness to perform an action
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Answer: D – Set is readiness: the learner is mentally prepared, physically positioned and willing to act.

Q7. A gymnast who takes her starting position and focuses her attention before a routine is best described as showing:

  • (A) Perception
  • (B) Set
  • (C) Complex overt response
  • (D) Origination
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Answer: B – Taking position and focusing attention is readiness, which Simpson calls set.

Q8. Guided response, in Simpson’s taxonomy, is best described as:

  • (A) The early stage of learning a skill by imitation and trial and error under guidance
  • (B) The smooth, automatic performance of a skill without thinking
  • (C) The creation of a new movement never seen before
  • (D) The use of the senses to detect a stimulus
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Answer: A – In guided response the learner copies a model, practises with help and corrects errors through feedback.

Q9. A child who learns to hold a cricket bat by copying the coach and correcting his grip after each attempt is showing:

  • (A) Mechanism
  • (B) Guided response
  • (C) Adaptation
  • (D) Characterization
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Answer: B – Copying a model and improving through guided trial and error is guided response.

Q10. Mechanism, in Simpson’s taxonomy, means that the learner:

  • (A) Can perform a learned skill with some confidence and proficiency, though not yet fully automatically
  • (B) Can only watch others perform the skill without trying it
  • (C) Can invent a new skill for a new situation entirely on his own
  • (D) Can rank competing values in order of importance
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Answer: A – Mechanism is the intermediate stage: the response has become habitual, but it still needs some attention.

Q11. A pupil who can write neatly with a pen without watching every stroke, but still slows down on difficult words, is at which Simpson level?

  • (A) Perception
  • (B) Guided response
  • (C) Mechanism
  • (D) Origination
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Answer: C – The skill is becoming habitual yet still needs attention on hard parts, which is mechanism rather than full automatic performance.

Q12. Complex overt response, in Simpson’s taxonomy, refers to:

  • (A) The first attempt at a movement after watching a model
  • (B) Mere readiness to begin a movement
  • (C) The invention of a new movement pattern
  • (D) Skilful, smooth and automatic performance of a complex movement pattern
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Answer: D – Complex overt response is expert performance: the movement is quick, accurate, coordinated and needs little conscious thought.

Q13. A typist who types at high speed without looking at the keys is best described as showing:

  • (A) Guided response, the early stage of learning under guidance
  • (B) Set, the state of readiness before a movement begins
  • (C) Perception, the sensory awareness that precedes movement
  • (D) Complex overt response
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Answer: D – Fast, accurate, automatic typing is a complex overt response, the level of skilled performance.

Q14. Adaptation, in Simpson’s taxonomy, means that the learner:

  • (A) Repeats a movement exactly as first learned, without any change
  • (B) Only watches a movement performed by others
  • (C) Modifies a learned movement to suit a new situation or problem
  • (D) Creates a movement pattern with no earlier model at all
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Answer: C – Adaptation is modifying a skill, for example changing a throw to suit wind or distance.

Q15. A footballer who changes his kicking style to suit a wet ground is demonstrating:

  • (A) Adaptation
  • (B) Mechanism
  • (C) Guided response
  • (D) Perception
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Answer: A – Changing a learned skill to fit new conditions is adaptation.

Q16. Origination, the highest level in Simpson’s taxonomy, means that the learner:

  • (A) Copies a demonstrated movement exactly
  • (B) Creates a new movement pattern to fit a particular situation or problem
  • (C) Performs a familiar movement automatically
  • (D) Prepares mentally before a movement begins
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Answer: B – Origination is creativity in movement: the learner designs a new pattern rather than copying or adapting an old one.

Q17. A choreographer who designs an entirely new dance sequence for a school function is showing:

  • (A) Origination
  • (B) Complex overt response
  • (C) Guided response
  • (D) Set
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Answer: A – Designing a new sequence is origination, the creative top level of Simpson’s taxonomy.

Q18. Which of the following gives the correct order of Simpson’s levels from lowest to highest?

  • (A) Set, perception, mechanism, guided response, adaptation, complex overt response, origination
  • (B) Perception, set, guided response, mechanism, complex overt response, adaptation, origination
  • (C) Perception, guided response, set, complex overt response, mechanism, origination, adaptation
  • (D) Guided response, perception, set, mechanism, adaptation, origination, complex overt response
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Answer: B – Simpson’s order runs from perception and set, through guided response and mechanism, to complex overt response, adaptation and origination.

Q19. Which Simpson level comes immediately above mechanism?

  • (A) Guided response, the early stage of learning under guidance
  • (B) Perception, the sensory awareness that precedes movement
  • (C) Set, the state of readiness before a movement begins
  • (D) Complex overt response
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Answer: D – Complex overt response follows mechanism: habitual performance becomes skilful and automatic.

Q20. Which Simpson level comes immediately below adaptation?

  • (A) Origination, the creative top level of Simpson’s taxonomy
  • (B) Guided response, the early stage of learning under guidance
  • (C) Complex overt response
  • (D) Perception, the sensory awareness that precedes movement
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Answer: C – Adaptation builds on complex overt response, when a skilled performer starts modifying the skill for new conditions.

Harrow’s Six Levels

Q21. Harrow’s version of the psychomotor taxonomy contains how many levels?

  • (A) Seven levels
  • (B) Five levels
  • (C) Six levels
  • (D) Four levels
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Answer: C – Harrow proposed six levels, from reflex movements at the base to non-discursive communication at the top.

Q22. Which of the following is the lowest level in Harrow’s taxonomy?

  • (A) Skilled movements
  • (B) Reflex movements
  • (C) Perceptual abilities
  • (D) Physical abilities
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Answer: B – Reflex movements, such as blinking or grasping in an infant, are involuntary and form Harrow’s base level.

Q23. Reflex movements are best described as:

  • (A) Involuntary movements that occur in response to a stimulus without conscious control
  • (B) Deliberately practised movements learned through coaching over time
  • (C) Movements used to express feelings without words in mime
  • (D) Movements that require fine coordination of the hands and eyes
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Answer: A – Reflexes happen automatically, without learning or intention, which is why Harrow places them lowest.

Q24. Fundamental movements, in Harrow’s taxonomy, include:

  • (A) Highly skilled movements used in competitive sport
  • (B) Movements that express emotions through gesture
  • (C) Involuntary reflexes present from birth
  • (D) Basic movements such as walking, running, jumping and grasping learned in early childhood
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Answer: D – Fundamental movements are the basic locomotor and manipulative patterns on which later skills are built.

Q25. A young child learning to run, jump and throw a ball is developing which Harrow level?

  • (A) Reflex movements
  • (B) Fundamental movements
  • (C) Skilled movements
  • (D) Non-discursive communication
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Answer: B – Running, jumping and throwing are basic patterns, so they belong to fundamental movements.

Q26. Perceptual abilities, in Harrow’s taxonomy, refer to:

  • (A) Involuntary responses such as blinking at a bright light suddenly
  • (B) The strength and endurance needed for physical tasks and games
  • (C) The ability to interpret sensory information and coordinate movement in response to it
  • (D) Movements that communicate feelings without speech or words
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Answer: C – Perceptual abilities link sensing and moving, for example judging distance before catching a ball.

Q27. A child who judges the speed of an approaching ball and moves his hands to catch it is using:

  • (A) Reflex movements alone
  • (B) Non-discursive communication alone
  • (C) Fundamental movements alone
  • (D) Perceptual abilities
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Answer: D – Judging speed and distance and coordinating the catch is a perceptual ability, not a mere reflex.

Q28. Physical abilities, in Harrow’s taxonomy, concern:

  • (A) Strength, endurance, flexibility and agility needed for movement tasks
  • (B) The ability to express ideas through facial expressions
  • (C) Basic walking and running patterns of early childhood
  • (D) Involuntary movements present from birth
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Answer: A – Physical abilities are the bodily capacities, such as strength and stamina, that support skilled movement.

Q29. A physical education teacher who plans exercises to build stamina and flexibility is working mainly on:

  • (A) Reflex movements
  • (B) Non-discursive communication
  • (C) Perceptual abilities
  • (D) Physical abilities
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Answer: D – Stamina and flexibility are physical abilities, the bodily fitness qualities behind movement.

Q30. Skilled movements, in Harrow’s taxonomy, are:

  • (A) Complex, efficient movements learned through practice, such as skilled games and crafts
  • (B) Involuntary movements that need no learning at all to occur
  • (C) Basic movements learned naturally in early childhood at home
  • (D) Gestures used to express feelings without words in dance
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Answer: A – Skilled movements are the learned, efficient performances of sport, dance, crafts and similar activities.


Q31. A student who plays a sitar with speed, accuracy and control is demonstrating which Harrow level?

  • (A) Reflex movements
  • (B) Skilled movements
  • (C) Fundamental movements
  • (D) Physical abilities
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Answer: B – Playing an instrument skilfully is a learned, complex performance, hence a skilled movement.

Q32. Non-discursive communication, the highest level in Harrow’s taxonomy, means:

  • (A) Performing a reflex action without conscious thought
  • (B) Building physical strength through exercise
  • (C) Expressing feelings and ideas through movement, gesture and posture without words
  • (D) Learning to walk and run in childhood
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Answer: C – Non-discursive communication uses the body itself as a medium of expression, as in dance, mime or expressive gesture.

Q33. A dancer who conveys sorrow through posture and gesture, without speaking, is showing:

  • (A) Non-discursive communication
  • (B) Reflex movements, the involuntary responses present from birth
  • (C) Fundamental movements, the basic patterns of early childhood
  • (D) Perceptual abilities, the sensing and judging behind movement
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Answer: A – Conveying an emotion through movement alone is non-discursive communication.

Q34. Which of the following gives the correct order of Harrow’s levels from lowest to highest?

  • (A) Fundamental movements, reflex movements, physical abilities, perceptual abilities, non-discursive communication, skilled movements
  • (B) Reflex movements, perceptual abilities, fundamental movements, skilled movements, physical abilities, non-discursive communication
  • (C) Physical abilities, reflex movements, fundamental movements, perceptual abilities, skilled movements, non-discursive communication
  • (D) Reflex movements, fundamental movements, perceptual abilities, physical abilities, skilled movements, non-discursive communication
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Answer: D – Harrow’s order runs from reflex and fundamental movements, through perceptual and physical abilities, to skilled movements and non-discursive communication.

Q35. Which level is common in name to both Simpson’s and Harrow’s taxonomies only in a broad sense, and must not be confused?

  • (A) Origination in both taxonomies means exactly the same level
  • (B) Set in both taxonomies means skilled performance
  • (C) Perception in Simpson and perceptual abilities in Harrow both concern sensing, but they sit at different places in their hierarchies
  • (D) Reflex movements appear as a level in Simpson’s taxonomy
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Answer: C – Both writers deal with sensing, but Simpson’s perception is the first level while Harrow’s perceptual abilities come third, so the terms are related, not identical.

Q36. A teacher writes the objective: ‘Pupils will thread a needle accurately within two minutes.’ This objective belongs to which domain?

  • (A) The cognitive domain
  • (B) The psychomotor domain
  • (C) The affective domain
  • (D) The domain of values only
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Answer: B – Threading a needle accurately is a motor skill, so the objective is psychomotor.

Psychomotor Objectives in Skill Subjects

Q37. A teacher writes the objective: ‘Pupils will draw a circle freehand with steady control.’ This objective belongs to which domain?

  • (A) The cognitive domain
  • (B) The psychomotor domain
  • (C) The affective domain
  • (D) The domain of attitudes only
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Answer: B – Freehand drawing with steady control is a physical skill, so it is a psychomotor objective.

Q38. Which of the following objectives is psychomotor rather than cognitive?

  • (A) Pupils will explain the rules of cricket in a written test
  • (B) Pupils will list the players in a cricket team from memory
  • (C) Pupils will describe the history of cricket in an essay
  • (D) Pupils will demonstrate the correct bowling action in cricket
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Answer: D – Demonstrating an action is a motor performance, while explaining, listing and describing are thinking tasks.

Q39. Which of the following objectives is cognitive rather than psychomotor?

  • (A) Pupils will handle laboratory apparatus safely and steadily
  • (B) Pupils will pour a liquid accurately into a measuring cylinder
  • (C) Pupils will state the safety rules for using laboratory apparatus
  • (D) Pupils will focus a microscope slide smoothly
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Answer: C – Stating rules is recall of knowledge, while handling, pouring and focusing are motor performances.

Q40. The main difference between a psychomotor objective and a cognitive objective is that the psychomotor objective describes:

  • (A) What the learner can do physically, with coordination and control
  • (B) What the learner knows or understands in thought about a topic
  • (C) What the learner feels or values about a topic in class
  • (D) What the teacher will do during the lesson for the class
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Answer: A – Psychomotor objectives target bodily performance, while cognitive objectives target knowledge and thinking.

Q41. In which school subjects is the psychomotor domain most directly important?

  • (A) Only in the teaching of historical dates and facts
  • (B) Only in the teaching of grammar rules
  • (C) Physical education, art, craft, handwriting and laboratory work
  • (D) Only in silent reading comprehension
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Answer: C – Subjects that require movement, making, drawing or handling apparatus depend heavily on psychomotor learning.

Q42. In physical education, a lesson that aims only at pupils memorising the rules of hockey, without any practice, would be weak mainly because it:

  • (A) Ignores the psychomotor outcomes that physical education exists to develop
  • (B) Covers too many cognitive objectives at once
  • (C) Uses too much affective teaching for the topic
  • (D) Requires too little written work from pupils
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Answer: A – Physical education must develop movement skills, so a lesson with no practice misses its central psychomotor purpose.

Q43. A handwriting lesson in which pupils practise forming letters with correct grip and flow is mainly developing:

  • (A) Affective values
  • (B) Psychomotor skills
  • (C) Cognitive evaluation skills
  • (D) Abstract reasoning skills
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Answer: B – Grip, formation and flow are motor skills, so the lesson is psychomotor in character.

Q44. Which verb most clearly signals a psychomotor objective?

  • (A) Define, the verb for stating the meaning of a term
  • (B) Appreciate, the verb for valuing something in the affective domain
  • (C) Analyse, the verb for breaking material into its parts
  • (D) Demonstrate
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Answer: D – Demonstrate, in the sense of performing an action, signals motor performance, while define and analyse are cognitive and appreciate is affective.

Q45. Which verb most clearly signals a cognitive objective rather than a psychomotor one?

  • (A) Perform
  • (B) Manipulate
  • (C) Construct with the hands
  • (D) Explain
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Answer: D – Explain is a thinking task, while perform, manipulate and construct by hand are motor performances.

Q46. A pupil who can describe every step of swimming but cannot stay afloat in water shows that:

  • (A) The pupil has reached Simpson’s origination level
  • (B) Cognitive knowledge of a skill does not by itself ensure psychomotor mastery of it
  • (C) The pupil has mastered the affective domain
  • (D) The pupil needs no further swimming practice
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Answer: B – Knowing the steps is cognitive, while staying afloat requires the motor skill itself, learned through practice.

Q47. Psychomotor skills are usually best assessed by:

  • (A) Observing the learner perform the skill against a checklist or rating scale
  • (B) Asking the learner to write definitions of the skill
  • (C) Asking the learner to state his feelings about the skill
  • (D) Giving the learner a multiple-choice test on the skill
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Answer: A – Performance must be seen to be judged, so observation with a checklist suits psychomotor assessment better than written recall.

Q48. A checklist that records grip, stance, follow-through and accuracy in a throw is most useful for assessing:

  • (A) Cognitive recall, the remembering of facts and information
  • (B) Affective attitudes, the feelings and values of the learner
  • (C) Psychomotor performance
  • (D) Reading comprehension, the understanding of a written passage
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Answer: C – Grip, stance and follow-through are features of movement, so the checklist assesses psychomotor performance.

Psychomotor Versus Cognitive Objectives

Q49. Which of the following is a psychomotor objective written with a clear, observable performance?

  • (A) Pupils will understand the importance of shoelaces
  • (B) Pupils will tie a shoelace correctly within one minute
  • (C) Pupils will know about different kinds of shoes
  • (D) Pupils will appreciate neat footwear
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Answer: B – Tying a shoelace correctly within a time limit is observable and measurable, while understand, know and appreciate are vague.

Q50. A teacher who demonstrates a skill, lets pupils imitate it, and then gives corrective feedback is following which Simpson stage most closely?

  • (A) Origination
  • (B) Characterization
  • (C) Perception alone
  • (D) Guided response
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Answer: D – Demonstration, imitation and corrective feedback are the core of guided response.

Q51. Which of the following best illustrates Simpson’s mechanism level?

  • (A) A pupil who plays a familiar tune on the harmonium with growing confidence, but still pauses at hard passages
  • (B) A pupil who watches a harmonium performance for the first time
  • (C) A pupil who invents a new tune never heard before
  • (D) A pupil who refuses to touch the harmonium
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Answer: A – Growing confidence with pauses at hard passages shows a skill becoming habitual, which is mechanism.

Q52. Which of the following best illustrates Harrow’s skilled movements?

  • (A) An infant who blinks when a light flashes
  • (B) A toddler who takes his first unsteady steps
  • (C) A pupil who performs a practiced gymnastics routine with speed, precision and control
  • (D) A pupil who does sit-ups to build stamina
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Answer: C – A practiced routine performed with precision and control is a skilled movement, while blinking is a reflex and sit-ups build physical abilities.

Q53. Which of the following is NOT a level in Simpson’s taxonomy?

  • (A) Perception, the sensory awareness that precedes movement
  • (B) Set, the state of readiness before a movement begins
  • (C) Reflex movements
  • (D) Adaptation, the modifying of a skill for new conditions
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Answer: C – Reflex movements belong to Harrow’s taxonomy, while perception, set and adaptation are Simpson’s levels.

Q54. Which of the following is NOT a level in Harrow’s taxonomy?

  • (A) Guided response
  • (B) Reflex movements
  • (C) Skilled movements
  • (D) Physical abilities
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Answer: A – Guided response belongs to Simpson’s taxonomy, while the other three are Harrow’s levels.

Q55. Which of the following is NOT a level in either Simpson’s or Harrow’s taxonomy?

  • (A) Origination
  • (B) Adaptation
  • (C) Non-discursive communication
  • (D) Valuing
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Answer: D – Valuing is an affective level in Krathwohl’s taxonomy, while the other three are psychomotor levels.

Q56. In Harrow’s taxonomy, expressive dance that communicates a story without words belongs to:

  • (A) Physical abilities, the strength and stamina behind movement
  • (B) Non-discursive communication
  • (C) Reflex movements, the involuntary responses present from birth
  • (D) Fundamental movements, the basic patterns of early childhood
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Answer: B – Dance as wordless expression is non-discursive communication, Harrow’s highest level.

Q57. A science teacher who wants pupils to use a burette steadily and read it accurately is setting an objective in which domain?

  • (A) The affective domain
  • (B) The cognitive domain only
  • (C) No domain of Bloom’s taxonomy
  • (D) The psychomotor domain
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Answer: D – Steady handling and accurate reading are motor skills, so the objective is psychomotor, even in a science lesson.

Q58. Which statement about the psychomotor domain is correct?

  • (A) It applies only to games and sports lessons
  • (B) It applies to any subject where learners must perform, make or handle something skilfully
  • (C) It applies only to infant classes
  • (D) It applies only to pupils who are physically strong
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Answer: B – Psychomotor learning matters wherever performance matters, including art, craft, handwriting, music and laboratory work.

Q59. A pupil who adapts her handwriting grip to write comfortably on a whiteboard instead of paper is showing Simpson’s:

  • (A) Perception
  • (B) Set
  • (C) Adaptation
  • (D) Guided response
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Answer: C – Changing a learned grip to suit a new surface is adaptation of a motor skill.

Q60. Which pair correctly matches a taxonomy with its author?

  • (A) Simpson – seven psychomotor levels
  • (B) Krathwohl – seven psychomotor levels
  • (C) Harrow – five affective levels
  • (D) Simpson – five affective levels
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Answer: A – Simpson is associated with the seven-level psychomotor taxonomy, while Krathwohl is associated with the five-level affective taxonomy.